| Version du 4 mai 2020 à 17:09 | Version actuelle | ||
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| *[http://saesfrance.org/wp-content/uploads/2019/06/2020-AGREG-bibliographie-Howards-End.pdf Pistes de réflexion de la SAES (pages 2-3)] | *[http://saesfrance.org/wp-content/uploads/2019/06/2020-AGREG-bibliographie-Howards-End.pdf Pistes de réflexion de la SAES (pages 2-3)] | ||
| *[https://webtv.univ-rouen.fr/permalink/v125d16d262d0pdgzik7/ Conférence de Catherine Bernard, "Les héritages de ''Howards End''"] | *[https://webtv.univ-rouen.fr/permalink/v125d16d262d0pdgzik7/ Conférence de Catherine Bernard, "Les héritages de ''Howards End''"] | ||
| + | *[https://journals.openedition.org/ebc/8671 Catherine Lanone et Laurent Mellet, "Introduction"] | ||
| + | *[https://journals.openedition.org/ebc/8737 Marie Laniel, "‘Quem fugis’: The Poetics of Arrested Flight in ‘Other Kingdom’ and ''Howards End''"] | ||
| + | *[https://journals.openedition.org/ebc/8801 Christian Gutleben, "Glorious Bastards: The Praise of Impurity in E.M. Forster’s ''Howards End''"] | ||
| + | *[https://journals.openedition.org/ebc/8856 Andrew Thacker, "Of Dust and Rubber: Rereading ''Howards End''"] | ||
| + | *[https://journals.openedition.org/ebc/8902 Dennis Tredy, "Readjustment and Reaccentuation: What Ruth Prawer Jhabvala’s Screenplay Reveals about James Ivory’s Film Adaptation of ''Howards End''"] | ||
| + | *[https://journals.openedition.org/ebc/9021 Christophe Gelly, "Fades to Black, Slow Motion and Mismatch—Connection and Disconnection in the Editing of James Ivory’s ''Howards End'' (1992)"] | ||
| + | *[https://journals.openedition.org/ebc/9091 Jean-François Baillon, "Hauntings in James Ivory’s ''Howards End''"] | ||
| [[Category: Concours - Agrégation]][[Category:Littérature]] | [[Category: Concours - Agrégation]][[Category:Littérature]] | ||
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Forster (Edward Morgan), Howards End
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