| Version du 31 décembre 2018 à 08:33 | Version actuelle | ||
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| - | Page en construction pour 2017. | + | Page en construction. |
| Remarque liminaire : cette page liste avec l'aide de yetss, iamaya et Aude '''les sujets de didactique corrigés''' dans les rapports de jury. Elle n'a pas la prétention d'être exhaustive et les candidats devront chercher les documents supports sur le site de la SAES ou sur Internet pour pouvoir s'entrainer. Les titres des dossiers ne sont pas donnés lors des épreuves, et les intitulés des documents sont parfois déduits des descriptions des rapports. L'abréviation EPC signifie Exposé de la Préparation d'un Cours. | Remarque liminaire : cette page liste avec l'aide de yetss, iamaya et Aude '''les sujets de didactique corrigés''' dans les rapports de jury. Elle n'a pas la prétention d'être exhaustive et les candidats devront chercher les documents supports sur le site de la SAES ou sur Internet pour pouvoir s'entrainer. Les titres des dossiers ne sont pas donnés lors des épreuves, et les intitulés des documents sont parfois déduits des descriptions des rapports. L'abréviation EPC signifie Exposé de la Préparation d'un Cours. | ||
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| + | =2018= | ||
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| + | * '''EPC 530''' (Every photo has a story to tell) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-530.pdf | ||
| + | |||
| + | :- Document 1 : 1A – Photograph, Saul Leiter, “Thanksgiving”, c. 1945 | ||
| + | :- Document 1 : 1B – Photograph, Diane Arbus, “Woman at a counter smoking, N.Y.C”, 1962 | ||
| + | :- Document 2 : Paul Auster, “Auggie Wren’s Christmas Story”, The New York Times , December 25, 1990 | ||
| + | :- Document 3 : Video excerpt of “Perfect Strangers – Street photographer documents the ‘Humans of New York’”, CBS This Morning, January 2, 2014 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-530-Doc-3.mp4 | ||
| + | |||
| + | * '''EPC 531''' (Kiwinglish) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-531.pdf | ||
| + | |||
| + | :- Document 1 : “New Zealand’s English Has a Distinct Linguistic Identity”, www.nzedge.com, January 10, 2018 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-531-Doc-3A.mp3 | ||
| + | :- Document 2 : Air New Zealand, A Very Merry Mistake, TV commercial, November 2017 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-531-Doc-1.mp4 | ||
| + | :- Document 3 : 3A – Screen capture of Finnian Galbraith’s YouTube channel, “The Importance of Correctly Pronouncing Māori Words”, July 20, 2015 | ||
| + | :- Document 3 : 3B – Finnian Galbraith, “The Importance of Correctly Pronouncing Māori Words”, July 20, 2015 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-531-Doc-3B.mp4 | ||
| + | |||
| + | * '''EPC 510''' (Landscapes: English visions and visualizing England) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-510.pdf | ||
| + | |||
| + | :- Document 1 : 1A - William Morris, “Chapter XXIX: A Resting Place On the Upper Thames”, News From Nowhere, 1890 | ||
| + | :- Document 1: 1B - William Morris, “Chapter XXX: The Journey’s End”, News From Nowhere, 1890 | ||
| + | :- Document 2 : Eleanor Doughty, “How to spot a Capability Brown landscape at 100 yards”, www.telegraph.co.uk, February 26, 2016 | ||
| + | :- Document 3 : An interview of Dr James Fox on “Paul Nash – War, Surrealism and British Landscapes”, tate.org.uk, November 8, 2016 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-510-Doc-3.mp4 | ||
| + | |||
| + | * '''EPC 333''' (American poetry) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-333.pdf | ||
| + | |||
| + | :- Document 1 : Emily Dickinson, “A Drop fell on the Apple Tree”, The Complete Poems, 1890 | ||
| + | :- Document 2 : Paterson , directed by Jim Jarmusch, 2016 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-333-Doc-2.mp4 | ||
| + | :- Document 3 : 3A – Langston Hughes, “The Negro Speaks of Rivers”, Selected Poems, 1921 | ||
| + | :- Document 3 : 3B – Langston Hughes reads “The Negro Speaks of Rivers” - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-333-Doc-3B.mp3 | ||
| + | :- Document 4 : E. E. Cummings, “maggie and milly and molly and may”, The Complete Poems: 1904-1962, 2016 | ||
| + | |||
| + | * '''EPC 351''' (Flânerie et écriture) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-351.pdf | ||
| + | |||
| + | :- Document 1 : Virginia Woolf, Mrs Dalloway, 1925 | ||
| + | :- Document 2 : Jean Rhys, Good Morning, Midnight, 1939 | ||
| + | :- Document 3 : Photograph by Stanley Kubrick, untitled, 1946 | ||
| + | :- Document 4 : Miranda Mills, “Chat with Lauren Elkin – Lauren Elkin and the Flâneuse,” Tea and Tattle (blog), 2017 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-351-Doc-4.mp3 | ||
| + | |||
| + | * '''EPC 350''' (Nonsense, limericks) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-350.pdf | ||
| + | |||
| + | :- Document 1 : 1 A – Title page, Carolyn Wells, A Nonsense Anthology, 1903 | ||
| + | :- Document 1 : 1 B – Introduction, Carolyn Wells, A Nonsense Anthology, 1903 | ||
| + | :- Document 2 : 2 A – Edward Lear, “There was an old man on the Border”, 3rd Book of Nonsense, 1872 | ||
| + | :- Document 2 : 2 B – J. A. Cuddon, “Limerick ”, A Dictionary of Literary Terms And Literary Theory, 2013 | ||
| + | :- Document 3 : Julia Donaldson (author), Axel Scheffler (pictures), Room on a Broom, 2013 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-350-Doc-3.mp4 | ||
| + | |||
| + | * '''EPC 550''' (la danse, entre liberté et contrainte / (In)dépendanse) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-550.pdf | ||
| + | |||
| + | :- Document 1 : Jane Austen, Pride and Prejudice, 1813 | ||
| + | :- Document 2 : Emily Dickinson, “326”, The Complete Poems, 1862 | ||
| + | :- Document 3 : Unknown, How to Dance A Complete Ball-Room and Party Guide, 1878 | ||
| + | :- Document 4 : Black Swan, directed by Darren Aronofsky, 2010 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-550-Doc-4.mp4 | ||
| + | |||
| + | * '''EPC 431''' (Quilted America, the American fabric, tissage et métissage ?) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-431.pdf | ||
| + | |||
| + | :- Document 1 : Screen capture of Robert Shaw, American Quilts: The Democratic Art, 2014, Amazon.com | ||
| + | :- Document 2 : 2A – Preview, “Episode 7”, Why Quilts Matter: History, Art & Politics, produced by Shelly Zegart, 2011 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-431-Doc-2A.mp4 | ||
| + | :- Document 2 : 2B – Introduction, “Episode 7”,Why Quilts Matter: History, Art & Politics, produced by Shelly Zegart, 2011 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-431-Doc-2B.mp4 | ||
| + | :- Document 3 : Artistic project, “Identity Tapestry”, Mary Corey March, 2013 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-431-Doc-3.mp4 | ||
| + | |||
| + | * '''EPC 450''' ((Re)présentation(s) de la guerre) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-450.pdf | ||
| + | |||
| + | :- Document 1 : “Preview of the Sir John Monash Centre at Villers-Bretonneux”, The Canberra Times – ACT News, April 29, 2017 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-450-Doc-1.mp4 | ||
| + | :- Document 2 : 2 A – Jiawei Shen, “Yeah, Mate!” , 2016 (oil on canvas, 213 x 122 cm) | ||
| + | :- Document 2 : 2 B – Photograph, Ernest Brooks, 1915 | ||
| + | :- Document 3 : M. L. Stedman, The Light between Oceans, 2012 | ||
| + | :- Document 4 : David Malouf, Fly Away Peter, 1982 | ||
| + | |||
| + | * '''EPC 432''' (Portraits of First Ladies) : http://saesfrance.org/wp-content/uploads/2018/06/AIA-2018-EPC-432.pdf | ||
| + | |||
| + | :- Document 1 : Peter Baker and Amy Chozick, “Hillary Clinton’s History as First Lady: Powerful, but Not Always Deft”, The New York Times, 2014 | ||
| + | :- Document 2 : “Melania Trump Poised to Move from Sidelines to Spotlight”, NPR News, 2016 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-432-Doc-2.mp3 | ||
| + | :- Document 3 : “Unveiling the Official President Bush Portrait – President Obama and First Lady Michelle Obama host former President George W. Bush and Former First Lady Laura Bush for the unveiling of their official portraits’’, obamawhitehouse.archives.gov, 2012 - http://saesfrance.org/wp-content/uploads/2018/07/AIA-2018-Oral-EPC-432-Doc-3.mp4 | ||
| =2017= | =2017= | ||
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Agrégation Interne : annales de didactique
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